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A-C | D-F | G-I | J-M | N-P | Q-S | T-Z | Other ComposersA Gospel Sermon for analog tape (1983) program note
A Still, Small Voice for violoncello, Video, Dancer and Interactive Electroacoustic processing
Jolt (A Still Small Voice) University of Iowa Dancers/Iowa City
Ancient Castles for electric clarinet, laser beam and dancer
the dimension beam is a MIDI controller that allows the dancer to either trigger MIDI events or sounds or continuously adjust continuous controllers with her movements. program note
performance: Scan 97 festival, Benjamin Franklin Museum, Philadelphia
performance: Artist Series, Emory University, Atlanta Georgia/ October 4, 1997
Ancient Voices II for saxophone, violin and piano 
score
Beginnings for alto saxophone and piano
California Moods for alto saxophone and piano
Circle Dance for string quartet
Collection 2011 for solo piano (2011)
Colors for clarinet, contrabassoon, percussion,harp, piano, violin/Ann Arbor, Michigan, 1968
Concerto I for alto saxophone and analog sounds
Conversations for piano and interactive electroacoustic processing
Crystals 2 for tuba and analog tape program note
Cycle for voice and electronic sounds
Dance Figures for clarinet, piano and tape
Philip Rehfeldt/clarinet, Barney Childs/piano
University of Redlands, March 18, 1987
September 21, 1989
Dance for Celeste for analog electronic sounds and dance (1970s)
Dayscapes for clarinet and interactive electroacoustic processing
Dialogue for voice and piano
Electric Colors of Spring for clarinet and interactive electroacoustic processing
performance with two live clarinets
performance with one live clarinet, one clarinet on tape and dancer (University ofWyoming)
performance with one live clarinet, one clarinet on tape and dancer (New York City)
Electric Mozart for windcontroller, prepared sounds and dance/University of Wyoming
Elegy for Daniel Pearl for alto saxophone, soprano voice, dance and narrator
performance: October 23, 2011: University Center Theater-University of Memphis/ Concert of Harmony for Humanity in honor of Daniel Pearl
Entrance Music for clarinet and piano score program note
Evening Songs for solo clarinet
excerpt from a performance-close-up camera: Bowling Green State University/Bryan Recital Hall
full performance-distant camera: Bowling Green State University/Kobacker Hall
performance: University of Wyoming
performance: Dia Art Foundation, Tribeca, New York, NY/May 4, 1991
Four Bruce for wind ensemble
Four in Six for string Quartet
Gaudeamus String Quartet/Gaudeamus International Festival, 1976
Minnesota Composers Forum String Quartet/Grinnell College
Frame for six flutes
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Ghosts for clarinet, alto saxophone, piano and fixed electronics
Gifts for violin, piano, dance and alternative video and narration
Ebb & Flow Festival, Seabury Hall Pas, Makawao, Hawaii/July 9,2011
31st annual Bowling Green State University New Music Festival
31st annual Festival with close camera edits
SymphonySpace, New York City
Images for orchestra (1968)
Impressions of Birth for chorus, two pianos and percussion
Invisible Images for violin, cello, percussion, piano and computer-generated sounds
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Jesus' Daughter (an Intermedia Opera) for Clarinet, Percussion, Interactive Video Processing, solo voice, Children’s Chorus, Electroacoustic Processing and Dance/this version was edited from several different performances with special effects in a television studio and is intended as a video installation.
performance from a live performance on stage at Lourdes College in Toledo, Oh
Maggie Moore talk radio show, Toledo, Oh 1370 am 4-13-95
Maggie Moore talk radio show two, Toledo, Oh 1370 am
television interview on Am Saturday, nov 5, 1995of Celesta Haraszti/dancer-chreographer of Jesus' Daughter
Silent Rage for prepared electroacoustic sounds and dancer. This work was first a "stand alone" movement that was eventually incorporated into the intermedia opera Jesus' Daughter. This performance was November 12, 1991 on a Faculty Composers Concert at Bowling Green State University
Silent Rage performance: Artus Theater, Budapest, Hungary, 1999
Small Talk for clarinet, realtime and prepared electronic music, perc, children's chorus and dance. This work was first a "stand alone" movement that was eventually incorporated into the intermedia opera Jesus' Daughter. This performance took place in the spring of 1994 at Bowling Green State University
Illusions for Smalltalk for clarinet, realtime and prepared electronic music, percussion and dance. This work was first a "stand alone" movement that was eventually incorporated into the intermedia opera Jesus' Daughter. This performance took place October 1, 1992 in Kobacker Hall at Bowling Green State University
Masks for clarinet and real-time analog electronic music
Bowling Green State University Faculty Composers Concert, November 12, 1991
performance: Dia Art Foundation/Tribeca, New York, NY/May 4, 1991
Meditations for clarinet, interactive analog electroacoustic music processing and dance
premiere performance march 1995
introduction to the composition and performance: university of wisconsin dance space
tape compiled and edited from several performances
excerpt from a performance at Scan 97/Benjamin Franklin Museum, Philadelphia
Governor's State University, November 10, 1994
performance: Artist Series, Emory University, Atlanta, Georgia/October 4, 1997
performance: Dia Art Foundation, New York, NY/May 4, 1991
Misogamy for string quartet and electronic tape
Mixtures for voices, flute, clarinet, horn, violin and tape (1970s)
Moments 1981 for two clarinets, two flutes and piano
Arizona State University, 1984
Moondance for clarinet and real-time analog electronic music
Faculty Composers Concert, Bowling Green State Universty, November 12, 1991
Morning Calls for solo clarinet and orchestra
Night Calls for clarinet, analog electronic sounds and dance (performance 1993)
Night Dances for solo clarinet, dancer and orchestra
Ball State University New Music Festival, feb 21, 1986
audio excerpt
full audio-visual performance
Night Scenes for solo piano
&∓nbsp; score sample program note
Night Visions for amplified clarinet, interactive audio and video using amiga mandala software and dancer performance recorded in a television studio(1993)
documentation of pre-concert equipment setup and performance at the u of Las Vegas (1990) by VideoLady of San Bernardino, Ca
performance at the International Computer Music Conference at The Ohio State University
introduction and performance: University of Wisconsin
performance with native american flute at the end:4th National Symposium of Electronic Miusic, Ted Mann Auditorium, U of Minnesota, November 6, 1993
Passages for soprano saxophone and piano
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Playthings for clarinet and dance: Artus Theater, Budapest, Hungary, 1999
Playthings Revisted for clarinet, realtime electroacoustic music processing, dance, video and BodySynth for solo dancer
Polygraph II for piano and realtime analog electronic music processing
Polygraph III for clarinet and analog tape
Polygraph IV for viola and analog tape
Polygraph V for flute and analog tape (Judith Bentley-flute)
Polygraph VI for flute, harp and analog tape (Judith Bentley-flute, Ruth Inglefiel-harp)
Polygraph VII for bass flute and analog tape (Judith Bentley-flute)
Primal Landscapes for amplified native american flute and computer program note
performance: Bowling Green State University/Bryan Recital Hall
performance: Artist Series, Emory University, Atlanta, Ga/October 4, 1997
performance: University of Wisconsin dance space
performance: Society of Composers, Inc National Conference, Miami
performance: Scan 97, Benjamin Franklin Museum, Philadelphia
Quartet for solo trombone and three videos (1993)
Quintet for flute, clarinet, percussion, violin, and violoncello
Rabbi for computer generated sounds
Rape Poems of Frances Driscoll for clarinet, interactive electroacoustic processing and dance
Righteous Moments for amplifed clarinet with realtime electronic processing, electric percussion and dance program note
performance: Bowling Green State University: clarinet, electric percussion and solo dancer
performance by Footnotes Dance Company, Hardford, Conn., March 20, 1998
performance: Artist Series, Emory University, Atlanta, Ga/October 4, 1997
Romance for piano and tape
performance Arizona State University, June 20, 1983, Frances Burnett-pianist
Secret Gardens for woodwind quintet, alto saxophone, percussion and prepared tape
&∓nbsp; score program note
performance Baylor University, March 16, 1983
Sensations for clarinet and analog tape
Shades of for amplified clarinet, realtime electroacoustic processing and dance
faculty composers concert at Bowling Green State University, November 12, 1991
performance: University of Las Vegas Dance Studio
introduction to the technology integrating the clarinet with the modules, followed by a performance: University of Wisconsin dance space
performance: Dia Art Foundation, Tribeca, New York, NY/May 4, 1991
Solo for viola and tape
february 24, 1988/ The tape to this work is the same tape used for Concerto I for saxophone and tape, but the solo viola part is totally new.
Song Cycle for Tape Alone
Sounds and Wails from the Past for piano duo
String Quartet for Tape Alone
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The Dancer (a video)
The Gathering for flute/piccolo and alto saxophone
Bicinia Duo
Trilogy ( a video)
Velvet Glaciers for solo clarinet and realtime electronic music processing
performance: Bowling Green State University, April 6, 1994
Voices for voice and contrabass (recording)
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program note
Voices Spain performance
Voices Chicago premiere performance at the International Bass Society Conference
WaterLillies for amplified native american flute, interactive electroacoustic processing,BodySynth Wireless Sensor System,interactive video processing and dance
performance:WaterLillies/New Music & Art Festival 19, Bowling Green State University
Whispers for fixed sounds
&∓nbsp; program note
performance: with dance/MU theater in Budapest
Wind Whispers, Sounds and Shouts for clarinet and electronics
Womin for chorus, synthesizer, interactive audio and video processing and dance
premiere performance: masterworks chorale (Terry Eder, conductor), Epworth United Methodist Church, toledo, oh June 3, 1990
Bowling Green State University Collegiate Chorale
Cleveland State University Chorale-Cleveland
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Other Composers' Works
Tarogato for clarinet, electroacoustic sounds and dance by composer Larry Austin
performance one: electric arts duo and friends/kobacker Hall, Bowling Green State University 20th Annual New Music & Art Festival
performance two: electric arts duo and friends/Bowling Green State University
excerpt from Love Poem in Blue for clarinet, electronic processing, performance artist, percussion and interactive video (an intermedia collaboration production for theToledo Arts Commission)
Temporal Silences for radio drum, clarinet and dance-Richard Boulanger, composer/SEAMUS National Conference 1994 (Middlebury College). The radio drum was developed by Max Mathews, allowing a performer to control the tempo and volume of a recorded sequence in concert, in this case providing counterpoint to the clarinet and dance.
Le Tracce di Kronos, i Passi, composer James Dashow, for clarinet, prepared electronic sounds and dance. Performance is at the Hear Festival in Savar Hungary/1997
Max Mathews and Richard Boulanger-radio drums, Maureen Chowning-soprano voice, Burton Beerman-clarinet, Celesta Haraszti-dance/complete concert, Bryan Recital Hall Bowling Green State University, March 16, 1992/
chamber music of Steven Everett: Emory University/Atlanta, Ga. composition for chamber ensemble and digital audio design using SymbolicSound audio design box
music of George Logemann: composition for clarinet, electronics and dance/Governor's state U, Chicago:October 10, 1994
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